 |
| Faiyaz Khan |
The concept of a gurukul is closely interwoven with that of a gharana. As the noted
music writer and critic Raghava Menon rightly points out, "the stamp of a guru is
actually that of a gharana
". In essence, a gharana emerges from the creative
style of a genius, who gives existing structures a totally new approach, form and
interpretation. This style will include the tone of the voice, the pitch, the inflexions
and the intonations, and the specific application of the various nuances.
 |
Abdul
Karim Khan |
 |
| Alladiya Khan |
Thus Abdul Karim Khan became the creator of Kirana gharana, and Alladiya Khan created
the Atrauli-Jaipur gharana. These gharanas were established only in the early 20th
century, even though the Agra and Gwalior gharanas are a few centuries older.
Individuality within a Gharana
 |
Mushtaq
Hussain Khan |
 |
Krishnarao
Shankar Pandit |
There has always been creative individuality within the tradition of a gharana.
Vazebua, Omkarnath Thakur, Vinayak Rao Patwardhan and D.V. Paluskar all hailed from the
Gwalior gharana. But each had an entirely different style of singing. Similarly Bade Gulam
Ali Khan added an entirely new dimension to the Patiala gayakee. Ameer
Khan gave a completely new colour and character to the Kirana gharana
and his style later came to be known as the Indore gharana.
 |
Bade Ghulam
Ali Khan |
 |
| Ameer Khan |
ITC-SRA considers the great gharanas as invaluable sources of learning techniques and
methods.