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ITC Sangeet Sammelan - Mumbai, 2008

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Arvind Parikh - Sitar
Pandit Arvind Parikh is amongst India’s leading
sitarists, with a performing career spanning over six
decades. The senior-most disciple of the late Ustad Vilayat
Khan, the great sitar maestro of the Imdad Khan/Etawah
Gharana of sitar and surbahar music, he has the distinction
of commanding as much respect in the world of music as in
the world of business. He is also an incisive musicologist,
a dedicated teacher of music and an eminent cultural
ambassador. He has been featured at almost all major
festivals of music in India and in Europe, and has had very
successful concert tours in several parts of West Asia, Far
East and Australasia.
He conceived the unique idea of establishing a Music Forum
at which all segments of the music world could meet to
discuss issues of common interests. Presently these are
functioning in Mumbai, Chennai, Kolkata and Delhi. He also
has the distinction of being the President of Indian
Musicological Society (IMS). In his capacity as Trustee of
ITC Sangeet Research Academy, he is the Chairman of its
Western India Chapter. Annual international seminars
organized by the Chapter have become unique events with
participation from all over the world. In 1994-97 he was a
Vice President of International Music Council (UNESCO) and
presently he is the Co-ordinator for the Indian
sub-continent.
He has been awarded the Gaurav Puraskar for the year 1997-98
by the Gujarat State Sangeet Natak Academy. In 2003 he
received the National Award of Sangeet Natak Akademi for
Instrumental music (sitar). |
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Falguni Mitra - Dhrupad
A talented young Dhrupad singer during the nineteen
fifties, Pandit Falguni Mitra transformed by the seventies,
to a master Dhrupad exponent, known to all the music
connoisseurs of India – both North and South. A regular
broadcaster on All India Radio and television, he has
performed at all the major music conferences all over India
and has been acclaimed as a reviver of the great art form.
His guru and father, Pandit Shib Mitra, a worthy disciple of
Pandit Bholanath Pathak of Betia-Banaras Gharana, also
received training in Alaap from the legendary musician of
the twentieth century, Ustad Nasiruddin Khan, the patriarch
of all the Dagars. Thus Falguni Mitra combines the Dagar
style of Alaap with the Betia-Banaras style of Dhrupad and
Dhamaar with a distinctive stamp of his own personality. His
music is truly different from all others in this genre.
Though he had a long stint as a top executive of a
multinational company, in 1999 he returned to ITC Sangeet
Research Academy, Kolkata as the Guru for Dhrupad and also
as the Prefect for administering all the activities
connected with teaching of music. Since then, Dhrupad has
become a compulsory subject for all students at ITC-SRA.
A venerable Resource Person to major universities and
institutions, he regularly participates in
seminars/workshops for teachers and professors and is an
external examiner and advisor to many notable institutions.
He has also authored several valuable publications. |
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Omkar Dadarkar - Vocal, ex-scholar ITC-SRA
When globalization is firmly gripping the world
making most of the modern society involved in material
gold-rush, very few persons maintain their originality and
tradition. Omkar Dadarkar is one of them. Born in Mumbai on
30th July 1977, he was enthused by his parents, both being
Marathi Natya-Sangeet performer. He took his initial
training under Shri Ram Deshpande and received a scholarship
from C.C.R.T.(New Delhi).As the nephew and shishya of the
legendary vocalist Padmashree Manik Verma, Omkar was
fortunate enough to get taleem from her. After that he took
training from Pandit Yashwantbua Joshi of Gwalior Gharana
under the Guru-shishya Parampara scheme of Dadar-Matunga
Cultural Centre. Being selected as scholar by I.T.C. Sangeet
Research Academy in 1999, he had undergone rigorous training
under the tutelage of guru Pt.Ulhas Kashalkar. He was also
trained in light classical music by Vidushi Girijadevi and
Shri Srinivas Khale. He also completed Sangeet Alankar from
Gandharv Mahavidyalaya and graduate in Marathi lit.and
History.
Omkar’s performances in several Music Conferences in the
cities of New Delhi, Kolkata, Mumbai, Kanpur, Lucknow, and
in abroad like Canada, Nepal etc. were highly applauded. He
received the prestigious Vidyasagar Award from Music Forum.
His handsome voice with embellished tans is gradually
establishing Omkar as a brilliant performer in the world of
Indian Classical Music. |
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Parween Sultana - Vocal
Begum Parween Sultana was born in Gowgong, Assam and was
inspired to learn Hindustani classical music by her father
Janab Ikramul Majib, a popular musician trained under Ustad
Gul Mohammed Khan and Ustad Bade Ghulam Ali Khan, as well as
her grandfather Janab Mohammed Najeef Khan, a talented Rabab
Player.
She trained with Pandit Chinmoy Lahiri for ten years before
failing health necessitated him suggesting a replacement in
the Bombay-based Ustad Dilshad Khan, whom she accepted as
her guru in August 1974.
Debuting on stage at the age of 9, in 1965 she recorded her
first EP for EMI India, and in 1967 the same label released
her first LP. She is also a very popular artist on T.V. and
AIR and has participated in the major music many festivals
in India and abroad.
An adjunct of her classical work is her occasional
moonlighting in the Indian film industry. She has, for
example, sung for the soundtracks of Ashary, Kudrat and
Pakeezah. ~ Ken Hunt, All Music Guide.
She has been awarded many titles including the Gandharva
Kalanidhi, Mian Tansen Award, Sangeet Samragni Award and has
been the youngest performing artist to receive the "Padmashree". |
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Rajeev Taranath - Sarode
Pandit Rajeev Taranath is a distinguished disciple of
the venerated maestro Ustad Ali Akbar Khan. Hailed a prodigy
in Hindustani vocal music, he had been earlier trained by
his father Pandit Taranath and other eminent musicians and
was a concert and radio artist before he was twenty. A Ford
Foundation scholar (1989 to 1992) researching the Teaching
Techniques of the Maihar-Allauddin Gharana, he has also
received guidance from Pandit Ravi Shankar and Vidushi
Annapurna Devi. From 1995-2005 he was a faculty member of
the music department at the California Insitute of the Arts
in Los Angeles, California.
Respected for the clarity of musical understanding that he
brings to the unfolding of a raga and the beauty of the tone
he evokes from the sarode, his distinctive musicianship
demonstrates striking imaginative power, technical
excellence and emotional range. He has performed all over
India as well as in Australia, Europe, Yemen and throughout
the U.S. He has also composed music for several nationally
and internationally honored Indian films.
He received the Sangeet Natak Academi Award for 1999-2000,
given in recognition of outstanding achievement in the field
of Hindustani Instrumental music. In 1998 he received the 'Chowdiah
Award for Music' from the Government of Karnataka. He has
also received the Karnataka Rajya Prashasti award in 1996
and Karnataka State Sangeet Nritya Akademi Award in 1993. |
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Rajendra Prasanna - Shehnai
Pandit Rajendra Prasanna hails from the renowned
Benaras Gharana and is a master of flute and shehnai. He was
groomed by his grand father late Pandit Gauri Shankar and
father late Pandit Raghunath Prasanna. He was also guided by
his uncles, late Pandit Bholanath Prasanna and late Pandit
Vishnu Prasanna.
Known for the unique blend of fluency and melody in his
recitals, his systematic ‘bandhat’ with an aesthetic
approach has been one of the main qualities of his
presentations. Musical environment at home became an
inspiration for him and he took to music at a very tender
age. It was at the age of twelve that he was invited to the
Calcutta Music Conference in 1968. After that, he never
looked back.
He regular performer on All India Radio and Doordarshan and
other television channels, he is presently working with the
National School of Drama, New Delhi. He has given many major
music concerts in India and has also performed at France,
Belgium, Poland, Germany, UK, Switzerland, Russia, Japan,
Mauritius, Thailand, Indonesia, Singapore, Vietnam, Sri
Lanka, Cambodia and the Middle East.
He was honoured with many prestigious awards including
“Surmani” (1978), “Samgeet Pujari” (1986), “Nadaratna” &
Rose Award (1994), “Uttar Pradesh Sangeet Natak Academy
Award” (1995) “Sangeet Sourabh” (1998) and Sahara India
Lifetime Achievement Award (2003). |
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Anand Kunte - Sarangi
Shri Anand Kunte is a disciple of Ustad Amir Baksh Khan. As
a renowned Sarangi artist, he has served the All India Radio
for thirty two years.
Shri Kunte has had the privilege of accompanying leading
vocalists, tabla players and dancers. As a much sought after
Sarangi accompanist, Shri Kunte has participated in a number
of concerts at home and abroad.
He was awarded the ITC SRA in year 2003. |
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Anutosh Degharia - Tabla
Born in 1972 in a musical family in Faniganj near
Calcutta, as a child Anutosh was initiated into music by his
father Shri Tarapada Degharia, a popular musician in his own
right, who was the son of Shri Sivram Degharia, a renowned
Pakhawaj player of his time. Subsequently he trained for a
few years under Shri Sudhir Roy. In 1989 Ustad Sabir Khan
accepted him as his student.
A graduate of Burdwan University and Sangeet Prabhakar from
Prayag Sangit Smiti (Allahabad) Anutosh is slowly but surely
establishing himself as a versatile tabla player both
soloist and accompanist. He has accompanied several reputed
artists in several cities of India as well as in countries
like Italy, France, Spain etc. He also appears regularly on
several TV channels like D.D (National), Zee TV, Asia Music
as well as All India Radio. |
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Manik Munde - Pakhawaj
Manik Munde was trained by Bhakta Ganesh Anna Chaudhari
and later by Mahant Pandit Amarnath Mishra. He also learnt
from Prof. Govindrao Deshmukh.
In 1981, he joined Ustad Allauddin Khan Sangeet Academy,
Bhopal as a pakhawaj player till 1984 when he joined Indira
Kala Sangeet Vishwavidyalaya, Khairagarh C.G. He later
received a two-year fellowship for research on pakhawaj and
allied areas.
Apart from solo performances, he has accompanied dhrupad
singers, instrumentalists as well as kathak dancers. He has
also experimented playing jugalbandi with tabla and
mridangam as well as participating in fusion concerts.
A regular concert performer in India, he has also traveled
to Europe, U.K., U.S.A. and Canada and has commercial
rcordings with many Dhrupad singers and Instrumentalists.
Since 1995 he has been teaching Pakhawaj privately to
students in India and abroad. |
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Mukundraj Deo - Tabla
Hailing from a musical family, Mukundraj Deo has undergone
rigorous training for Tabla from Late Pandit Brijraj Mishra
of Banaras Gharana and Pandit Mridangraj of Ajrada Gharana.
A first class ‘Sangeet Visharad’ in Tabla from Akhil
Bharatiya Gandharva Mahavidyalaya, he received the National
Scholarship in 1990.
A commerce graduate, he was awarded the title of ‘Talmani’
by Sursingar Samsad, Mumbai in 1993 and the National
Fellowship in 1997. An “A” grade artist of All India Radio
and Doordarshan, he has written a book on Tabla in Marathi
named “Susamvad Tablyashi”. Recently he has been awarded by
title “Pandit” bu Savarkar Seva Sanstha, Thane.
Mukundraj has performed solo and as an accompanist of
renowned vocalists and and instrumentalists and has many
commercial CD and cassette releases. Recently his Tabla solo
CD has also been released.
A regular concert performer in india, he has also traveled
overseas to different parts of Asia including the Gulf
Countries, Japan, UK, USA, Europe and Australia. |
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Nayan Ghosh - Tabla
Shri Nayan Ghosh’s grooming in the various aspects of
Hindustani classical music took place under his father and
guru, Padmabhushan Pandit Nikhil Ghosh. He also inherited
the musical depth of his elder uncle, legendary flautist
Pandit Pannalal Ghosh. Since mid 90’s, Nayan has been
receiving guidance in rare compositions and stringed
instrumental structures from esteemed sarod maestro Pandit
Buddhadev Dasgupta. Nayan Ghosh’s sitar recitals sparkle
with intense melodiousness and rich aesthetic delineations,
bringing out the depth and true spirit of the raga. His
judicious balance of gayaki and tantrakari elements shows
his unswerving focus on musical form and beauty. Over the
years Nayan Ghosh has performed, lectured and taught
extensively across the length and breadth of the Indian
sub-continent and in capital cities of Europe, UK, USA,
Canada, Australia, New Zealand and the Far East. His
concerts have taken place on such prestigious world forums
as the International String Festival in Rome, the Helsinki
International Music Festival in Finland, the Athens
East-West Music Festival in Greece, the World Music Congress
in Germany and the Festival of India at the Metropolitan
Museum in New York. Nayan Ghosh is equally hailed for his
dynamic tabla solos and refined accompaniments. His crisp
yet powerful handling of the tabla gives him the distinction
of also being one of the most important tabla players in
today’s music world. |
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Shrinivas Acharya - Harmonium
Shrinivas, born and brought up in the family of music lovers
having initial training from his mother Mrs. Shailashri
Acharya and then for almost twenty years under the wings of
veteran let Pandit Vishwanth Pendharkar. Now he is
Gundabundha Shishya of Pandit Purushottam Walwalkar, who is
imparting lessons since last eight years very
affectionately.
Shrinivas is an excellent solo harmonium player having won
many prizes in solo harmonium competition including Gold
Medal of All India Radio. He has performed in well-known
conferences, doordarshan and radio. He is Radio “B High”
grade artist.
Shrinivas is not only an excellent solo harmonium player but
an equally excellent harmonium accompanist also. He has got
opportunies to accompany to Stars of Galaxy like
Padmabhushan let Pandit C R Vyas, Padmashri Begum Parween
Sultana, Sangit Martand Ustad Dilshad Khan, let Shobha Gurtu,
etc. and other talented artists like Pandit Prabhakar
Karekar, Ustad Rashid Khan, Pandit Ajit Kadkade, Pandit
Suhas Vyas, Smt Devaki Pandit etc. He has also traveled all
over the country and UK, Kuwait, Dubai, Morocco, etc., for
performances. |
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Suyog Kundalkar - Harmonium
Suyog Kundalkar started training in harmonium at the age of
six from Smt.Ranjana Godse. Since 1997, he has been a
devoted student of the renowned harmonium soloist and
accompanist, Dr. Arawind Thatte under whom he is receiving
specialised training for solo performances. Also a keen
student of classical vocal music, Suyog has undertaken
lessons in singing from Smt. Lalitabai Khadilkar and
Shri.Suhas Datar. He has also attended "tappa" workshops
conducted by Pt.Balasaheb Poochwale and Pt. Vasantrao
Rajurkar.
A graded artist of All India Radio and Doordarshan, he holds
a Bachelor’s degree in music from "Lalit Kala Kendra" of the
University of Pune. A regular accompanist at the Sawai
Gandharva Music Festival, Pune and other reputed festivals
in India, he has toured Switzerland, UK, Australia, UAE and
Russia. He has also given solo performances in Pune , Mumbai
and Banaras.
In the year 2000, he was awarded the "Rasikagrani Dattopant
Deshpande Puraskar", which is an award given to devoted
upcoming artists. |
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Utpal Dutta - tabla
Utpal Dutta was born in a family of musicians and was
initiated in the art of tabla playing by his mother Smt.
Ratna Dutta a vocalist of repute. His initial formal
training started under the guidance of Ustad Sarwat Hussain
and later under the internationally acclaimed Tabla maestro,
"TAAL YOGI" Pt. Suresh Talwalkar.
He has obtained the degree of 'Sangeetacharya' and
broadcasts regularly from All India Radio as an artist of
B-High grade. He has so far accmpanied vocalists of repute
like Smt. Shobha Gurtu, Smt. Padma Talwalkar, Smt. Ashwini
Bhide Deshpande, Smt. Arati Ankalikar, Smt. Devaki Pandit
and Pt. Ronu Mazumdar. Utpal has a bright future ahead of
him. |
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