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Distinguishing
between Similar Ragas
There are many ragas in Hindustani
Classical Music that use the same swaras or notes but differ in other
subtler aspects. Other ragas have very different swaras but strongly
resemble another raga. As a result of these close resemblances, one raga
is often confused with another.
A raga is more than a scale. Many ragas share the same scale. The
underlying scale may have five, six or seven tones made up of swaras.
Ragas that have five swaras are called audava ragas; those with
six, shaadava; and with seven, sampoorna for 'complete'. Those
ragas that do not follow the strict ascending or descending order of
swaras are called vakra ('crooked') ragas. It is the mood of the raga
that is more important than the notes it comprises. For example, Raga
Darbari Kanada and Raga Jaunpuri share the same notes but are entirely
different in their renderings.
This feature aims to highlight the differences between a few sets of
very similar ragas that are commonly confused with each other
Some examples of sets of ragas commonly confused are :
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Bhupali, Deshkar, Shudh Kalyan |
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Jaunpuri, Darbari Kanhada, Adana |
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Puriya, Marwa , Sohini |
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Mian Malhar, Bahar |
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Shudh Sarang, Shyam Kalyan |
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Barwa, Gara, Sindura, Piloo |
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Todi, Gurjari Todi |
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